Sung Eucharist – 19 February

Introit: Byrd Ave verum corpus
Byrd: Mass for five voices
Gradual: Psalm 50 vv. 1–6
Credo: VI
Hymns 495 (omit v. 3), 277
Available until: 
1 month 10 hours ago
Date of Release: 
Tue, 2012-02-21 13:00

This week's music

This week the webcast comes from Sunday morning, our one Sung Eucharist service of the week. The music is all either by William Byrd or simple plainsong or Gregorian chant. Regular listeners and members of the congregation here at St John's will notice that the Credo is unusually unaccompanied – this was favoured during Dr Robinson's time as Director of Music and could be said to be beneficial both for the listener and the Choir in terms of getting a good sense of the shape of the phrases, an aspect which might be made less clear with the use of organ accompaniment. The setting is a largely joyful one which ably displays Byrd's ability to create the intimate alongside the epic, both seamlessly flowing from one to the other.

This week's blog

With Ash Wednesday looming tomorrow, we're getting ready for the penitential season of Lent. This usually means more unaccompanied music which is fortunate as we're currently without our proper organ. In case you were worried, however, about changes to the music, have no fear as our temporary electric organ is doing a good enough job to keep all of the accompanied repertoire. It has been interesting for many of the Choir (and, no doubt, the congregation) actually to see the organ scholars at work – it's easy to overlook how much preparation they need to put in for each service! There's a current band of music by Wesley which is threading its way through the service list for the term in preparation for our next recording session with Chandos, completing a five-CD set of single composer recordings, one from each of the 16th (Lassus), 17th (Purcell), 18th (Mozart), 19th (Wesley) and 20th (Howells) centuries.

Of course, at St John's, Ash Wednesday is a particularly special service including as the Psalm Allegri's Miserere mei, Deus which has come to be performed with the now set-in-stone top Cs for the treble soloist. It is said that George Guest, who wrote one of the first editions of the piece, still used by many English choirs, used to warm his trebles up to the top F above that all year round so when it actually came to the annual Allegri moment, the top Cs weren't ever an issue. So with this legacy to live up to, a handful of the St John's trebles are currently gearing themselves up for tomorrow's Evensong.