Pious Anthems & Voluntaries
- Sarah O'Flynn (flute)
- Cecily Ward (violin)
- Alfred Harrison, Harry L'Estrange, Philip Tomkinson (treble)
- Hugh Cutting (counter tenor)
- Gopal Kambo (tenor)
- James Adams, Oliver Morris (bass)
Pious Anthems & Voluntaries features a new nine-part cycle, inspired by the architecture of the College and its Chapel, and composed by Michael Finnissy, St John's Composer in Residence 2016-19.
Michael Finnissy's first work for the Choir, John the Baptist, was commissioned for the 2014 Advent Carol Service, and went on to win the British Composer Award for Liturgical Music (now known as the Ivors Awards). The piece was later recorded for the album Christmas with St John's. In November 2020, Pious Anthems & Voluntaries was also nominated for an Ivors Composer Award.
When Andrew Nethsingha approached Finnissy to be the College's Composer in Residence 2016, the initial proposition was to create a new set of works based on motets from the early sixteenth century. What followed was an evolution of the project into something much more far-reaching, taking inspiration from works spanning from John Taverner to Michael Tippett. All of the source works have a special significance for the Choir, and the selection of pieces that span the centuries mirrors the architectural layering present in the development of St John's College.
Finnissy said of the project:
"I do not feel this breadth of vision or enthusiasm to be at all incompatible with the Victorian Gothic Revival, and hence the chapel I am supposed to celebrate. I might have a greater fondness for William Morris than for the personalities of the Oxford Movement, but their collective responses to the dark times in which they lived continue to resonate in the England of 2015-19."
The cycle was written over a three year period, and the premiere of the collection as a whole took place in June 2019 to celebrate the 150th Anniversary of St John's College Chapel.
Andrew Nethsingha writes:
“This is extremely beautiful music - rich, deep, full of colours, emotions and allusions. The music requires time to marinade in the listener’s mind. It has been fascinating to observe the cycle’s evolution, to develop a deep relationship with one composer and to gain an insight into his compositional processes. We are privileged to have had Michael as the College’s Composer in Residence for the past three years."
- Dum transisset Sabbatum
- Dum transisset Sabbatum – double
- Videte miraculum
- Videte miraculum – double
- Commentary on ‘Wie schön leuchtet der Morgenstern’
- 'Herr Christ, der einge Gottessohn’: I. Herr Christ, der einge Gottessohn
- 'Herr Christ, der einge Gottessohn’: II. Ach führe mich, o Gott
- 'Herr Christ, der einge Gottessohn’: III. Ach, ziehe die Seele
- 'Herr Christ, der einge Gottessohn’: IV. O Wunderkraft der Liebe
- 'Herr Christ, der einge Gottessohn’: V. Bald zur Rechten
- 'Herr Christ, der einge Gottessohn’: VI. Für uns ein Mensch geboren
- Commentary on BWV 562
- Plebs angelica
- Plebs angelica – alternativo