This week's webcast is of the Eucharist held on All Souls' Day, which commemorates All Souls, the Holy Souls, or the Faithful Departed; that is, the souls of Christians who have died. The setting of the Requiem Mass is Maurice Duruflé's monumental Op. 9, published in 1948.
Purcell wrote several anthems at different times for John Gostling's extraordinary basso profondo voice, which is known to have had a range of at least two full octaves, from D below the bass staff to the D above it.
This service of Choral Evensong was sung last term on the second Sunday after Easter. It features the second movement from J. S. Bach's Cantata BWV 12, Weinen, Klagen, Sorgen, Zagen, which he composed in Weimar for Jubilate, the third Sunday after Easter.
From the archives, this webcast of Choral Evensong features Cyril B. Rootham's Evening Service in E Minor and Neil Cox's setting of Psalm 17:8, 'Keep me as the apple of an eye'. In this service, Psalm 122 vv.
From the archives, this webcast of Choral Evensong features the first performance of Dum transisset Sabatum by Composer-in-Residence, Michael Finnissy, which was written in response to John Taverner's setting of the same text; also featured in this webcast.
The service featured in this week's webcast is in memorial of Robert Aubrey Hinde CBE FRS FBA (1923 - 2016) - a former Fellow and Master of St John's College, Cambridge, and Emeritus Royal Society Research Professor of Zoology at the University of Cambridge.
In their first ever album dedicated solely to the Evening Canticles (Magnificat and Nunc Dimittis), the Choir of St John’s College, Cambridge releases Magnificat, a celebration of their daily tradition of Evensong.
The Choir's new album, Magnificat, is now available to buy, download and stream. Celebrating the Evening Canticles that play a significant part in the Choir's Evensong services, it is an Editor's Choice Pick from Gramophone magazine.